Now, I decided not to rewatch Krampus before screening The Naughty Cut - it’s a perennial of mine, so I think I watched it with a better-than-average knowledge of the movie’s beats - and I can’t honestly point to any of the shots they added back into the scarier scenes. The more enticing prospect of an unrated Krampus cut was the chance that the savage little beasts that tear their way through the Engel family one by one would be even more savage.
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Consider it another good Christmas movie staple to add to your collection.” While the film moves a little slow in spots, Krampus is sure to satisfy horror and comedy fans alike. The cast and creature designs are also great. While genuine frights are slim, the movie is packed with great imagery, solid commentary, and laugh-out-loud moments - not unlike director Michael Dougherty's last film Trick 'r Treat. IGN’s Max Nicholson gave the theatrical cut of Krampus an 8.3, saying: “Krampus hits that ‘Nightmare Before Christmas’ sweet spot by blending gleeful horror with holiday cheer.
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Nicholas and his minions… but nothing that alters the trajectory of the plot or radically recontextualizes anything we already knew. Sisters Sarah (Toni Collette) and Linda (Allison Tolman) lament how far apart they’ve grown, main kid Max (Emjay Anthony) makes a peace offering to his cousins amid the chaos being wrought by the Shadow of St. Most of the new dialogue scenes reinforce the family drama at the heart of Krampus. The Naughty Cut’s embellishments are incredibly sparse, and ultimately add very little to the story. Krampus: The Naughty Cut doesn’t go so far as to add back scenes that detract from the experience, but the alterations are so slight that it’s hard to recommend it over the version released in the theaters.ĭirector Michael Dougherty’s ( Godzilla: King of the Monsters, Trick ‘r Treat) bleak, funny take on the modern meaning of Christmas was already pretty well-regarded, so any new material would have to make that much more of a case for itself to feel like the easy choice over the theatrical cut. While alternate cuts of theatrically released movies can become the preferred choice for fans (looking at you Lord of the Rings: Extended Edition), they can also be a marketing ploy to get fans to double-dip and buy a version of the movie that restores footage better left on the cutting room floor. The common line I can draw through the above movies is that none of them were all that well-received upon their original release, so you can see how a new cut is kind of a “can’t lose” prospect. to let David Ayer deliver on his original vision of Suicide Squad. DC fans have been pushing for Warner Bros. Francis Ford Coppola and Sylvester Stallone have both recently re-cut less stellar entries from the Godfather and Rocky series. Earlier this year, I was very pleasantly surprised to see the foundational changes made to Zack Snyder’s Justice League result in an appreciably better movie.